InAward|九歌NINESONGS

九歌 Nine Songs XXIII - 2025数字影像 Digital Art 汤海青 Tang Hai Qing 《九歌》系列命名是对诗人屈原的同名诗歌致敬，该系列受到唯灵论思潮的影响，与自然力量的交流是形成其创作的重要手段，在美学呈现上同时交织着对经典美学符号与神学系统的解构重现，以此作为窗口窥探存在于中国文明中长久幽远的灵光之物，回应着观看者的审美共鸣。在此系列中，汤海青提出“赛博灵媒”的创作概念，将自己比作连接人类与数据世界的媒介，由此将艺术家转变为一个与技术共生的载体。手法上对AI人工智能的控制代替为权力释放，探索人工智能的思维边界，将这些由咒语般词组召唤出的碎片画面呈现于前。 The “Nine Songs” series, named after Qu Yuan's poem, Tang Haiqing uses natural forces for unique art. His works deconstruct and reinterpret Chinese symbols and systems, resonating with viewers. Tang first introduces the “Cyber Medium” concept, seeing himself as a link between humans and the data world, making artists symbiotic with technology. He liberates AI's potential, exploring its thought boundaries and presenting fragmented images summoned by incantation - like phrases.