What I find most compelling about Vincenzo De Cotiis’ Venetian home is the way time itself becomes part of the material palette. Rather than restoring the palazzo into something perfect, he allows its patina, faded surfaces and historical layers to remain visible, then introduces highly sculptural contemporary pieces in bronze, fibreglass, stone and glass. His approach is always about working with what already exists rather than erasing it—looking simultaneously to the past and the future.
很喜欢 De Cotiis 在这里对时间的处理。旧墙面的痕迹、石材、金属和玻璃都没有被处理得太“完美”，反而让空间很真实。新的家具放进去以后，也没有想要和老建筑完全融合。
#威尼斯
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