若匿系列 2008透明树脂 铁 玻璃钢83x96x96cm 110x46x46cm 83x38x36cm
什么样的⼈可以叫艺术家？What kind of person can be called an artist？2020年5⽉29⽇ 29 MAY 2020我理解的艺术家就是不会被⽣活压倒的那群⼈，勇于直⾯、死不认输。
The artists I understand are those people who will not be overwhelmed by life, who are brave enough to face them and never admit defeat.
永远⾃持着对世界的敬意和热爱，甚⾄对顽劣的理解和拥抱。
Always hold on to the respect and love of the world, and even the stubborn understanding and embrace.
总会从看待事物的⼤众⻆度另辟蹊径，持有⾃⼰的态度，不在意周遭的品评，从⽽融⼊到作品中表达观点。
I always look at things from the perspective of the public, holding my own attitude, and not caring about the surrounding comments, so as to integrate into the work to express opinions.
不违⼼“捧哏”，没功夫“逗哏”，有限的时间都⽤在了⾃⼰认为值得的事情和⼈上。
I don't have to "puff" against my heart, and I don't have the time to "make fun". The limited time is spent on things and people that I think are worthwhile.
愿意体察世界的⼤同和不同，作品扩⼤了⼈类认知的边界，⼼理的界限，底线的弹性。
Willing to experience the sameness and difference in the world, the work expands the boundaries of human cognition, the boundaries of psychology, and the flexibility of the bottom line.
尘归尘 局部 2017999银 紫檀木 黑金石7x81x17cm
关于时间的塑痕
Plastic marks about time
2019年3⽉14⽇ 14 MAR 2019总以为自己长大了，这个五年我跨了30，却发现自己原来⼀直是个孩⼦，陪CC长大的这5年，她从躺着到坐着，到直立行走，到跑跑跳跳，到古灵精怪，时不时被她突然的⼀瞬间打动着，对照着⾃⼰⼉时的记忆，我们很像，却不像。
I always thought that I had grown up. I crossed 30 in the past five years, but found that I had always been a child. During the five years growing up with CC, she went from lying to sitting, to walking upright, to running and jumping, to Quirky, from time to time, was moved by her suddenly for a moment. In contrast to my childhood memories, we are alike, but not.
我爱旅⾏，最近才发现我爱旅⾏的原因，⼉时记忆⾥最开⼼的家庭记忆便是全家旅⾏，去了国内⼏个著名城市，第⼀次坐⻜机，那时以后的以后，爸妈分开了，也就没那么容易在⼀起。⼉时的家如今还可以幸运地在爸爸妈妈和我的三⼈群⾥延伸，现实⽣活中已经说不清多少年没有⼀起过年。⽽旅⾏对我来说是完整的家的符号。
I love to travel. I only recently discovered the reason why I love to travel. The happiest family memory in my childhood memory is traveling as a family. I went to several famous cities in China and took a plane for the first time. From then on, my parents separated, It’s not that easy to be together. The childhood home can now be fortunately extended among the three groups of parents, mom, dad and me. In real life, it is hard to tell how many years have not been together for the New Year. And travel is a complete symbol of family for me.
新月·No. 3 葉知 2016青銅 油画顏料 99.9%24K金箔 蓬蓬裙76x33x38cm
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新月·No. 3 葉知 局部 2016 青銅 油画顏料 99.9%24K金箔 蓬蓬裙 76x33x38cm
葉知 局部 2016 青銅 油画顏料 99.9%24K金箔 蓬蓬裙 76x33x38cm" uploaded="1" data-infoed="1" data-width="1080" data-height="1620" data-format="jpeg" data-size="98881" data-phash="EB234EDCC4063772" data-source="outsite" outid="undefined">对C来说，旅⾏意味着要和妈妈独⾃⽣活，这五年我带她去十几个国家，⼀岁半带她去了拉萨，我们在⼀起彼此照应，旅⾏对她⽽⾔更意味着尝试独⽴和认知⾃我。
For C, traveling means living alone with mother. In the past five years, I took her to more than a dozen countries, and took her to Lhasa when she was one and a half years old. We took care each other. For her, traveling means trying to be independent and self-aware.
五年⾥我为她做了⼗⼏件雕塑，从她还是胎⼉时到现在，很多⼈不理解为什么我总是围绕CC做作品。我只是觉得我希望把我认为珍贵的做出来，那些关于勇⽓、天真、甚⾄不现实的存在，与旁⼈⽆关的话题，与我却⾎⾁相融。这或许是我爱C、我尊重我选择⽣C的某种表达。
I have made more than a dozen sculptures for her in the past five years. From the time she was a fetus to now, many people do not understand why I always make works around CC. I just feel that I want to make what I think is precious, those about courage, innocence, or even unrealistic existence, and topics that have nothing about others, but those blend with me. This may be an expression of my love for C and my respect for my choice to have C.
新月·No. 4 謎螺·手辦 2022SLA激光樹脂100x97x87cm
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新月·No. 4 謎螺·小夜燈 2020白瓷 木245x249x214cm
謎螺·小夜燈 2020白瓷 木245x249x214cm" 0c1f6e81-0577-0578"="">謎螺·小夜燈 2020白瓷 木245x249x214cm" 29eef1a4-0577-0578"="">謎螺·小夜燈 2020白瓷 木245x249x214cm" uploaded="1" data-infoed="1" data-width="1080" data-height="1520" data-format="jpeg" data-size="65369" data-phash="CD39964C65E632C9" data-source="outsite" outid="undefined">关于 CC 的雕塑
About the sculpture of CC
2018年11⽉23⽇ 23 NOV 2018有⼀种记录，不是⽂字、图形，是空间——由它曾经占据过的空间凝化⽽成，延伸出那个瞬间的声⾳、⾏为、空⽓的味道、湿度，和那个地理坐标，那⼀⽣命阶段。
There is a record, not words or graphics, but space—condensed from the space it once occupied, extending the momentary sound, behavior, smell of the air, humidity, and the geographic coordinates and the stage of life.
我做西西，从她出生时便开始记录，到她半岁会坐时，再到1岁、⼀岁半、2岁、3岁、4岁……我每年为她做⼀件。然后，有⼀个空间，最终可以承载这些关于她成⻓的记忆：我送给她的雕塑、⽇记、画、影像，她做的雕塑、⽇记、画、影像。这⾥会是她灵魂的栖息地，无人打扰，回到她完整的⾃我状态，明晰⾃⼰的印记，看得到远⽅。这⼀⽣我们是⺟⼥，这是给她的礼物。
I do CC, and I record it from when she was born, to when she would sit when she was six months old, and then to one, one and a half, two, three, and four years old... I made one for her every year. Then, there is a space that can finally carry these memories of her growth: the sculptures, diaries, paintings, and videos I gave her, the sculptures, diaries, paintings, and videos she made. This will be the habitat of her soul, no one will be disturbed, return to her complete self state, clarify her mark, and see the distance. We are a mother and daughter in this life, ts is a gift for her.
新月·No. 5 長樂 2018青銅 白鋼96×106×23cm
長樂 2018青銅 白鋼96×106×23cm " a092496a-0617-0619"="">長樂 2018青銅 白鋼96×106×23cm " uploaded="1" data-infoed="1" data-width="1080" data-height="1441" data-format="jpeg" data-size="58630" data-phash="E392CB1E2CE1F063" data-source="outsite" outid="undefined">雕塑⼏乎都是在想象中完成的，借助她那个时期的成长特点为创意灵感，在⼏乎不可能存于现实中的⾏为状态来叙述我眼中的她。⽐如，推着⼩船学⾛路，在天使的翅膀中悄然⼊梦，在鹈鹕的⻓喙上玩滑梯，在海螺⾥拉臭臭……Sculptures are almost always completed in imagination. With the help of hergrowth characteristics during that period as creative inspiration, she is described in my eyes in a state of behavior that is almost impossible to exist in reality. For example, pushing a boat to learn to walk, dreaming quietly in the wings of an angel, playing a slide on a pelican’s beak, pulling a smelly snail in a conch...
在雕塑的语⾔中，成⻓叙述的可能性是⽆限的，将这种现实和梦幻交融⼀起的感受注⼊作品中，只是想传递⼀种思考：如果将日常换成想象的空间、载体，会是怎样的⼼境表达？如果⽇常中的那些看似理所当然的设置换成不可思议的道具，是不是意味着可以提示⼀种时不时的出离心境？是不是可以理解为⿎励她⽤意念置换时空的思维？
In the language of sculpture, the possibilities of growth narration are infinite. I inject this feeling of blending reality and dream into the work, just to convey a kind of thinking: what will happen if everyday is replaced by an imagined space and carrier Your mood expression? If the everyday settings that seem to be taken for granted are replaced with incredible props, does it mean that it can prompt a kind of out of eccentricity from time to time? Can it be understood as encouraging her to replace time and space thinking with her mind?
不论未来的她如何看待这些雕塑，这是我⺟爱泛滥的出口，我送给她的礼物，同时也记录着我作为⺟亲陪伴她⻓⼤的时光，更是共同领悟⽣命真谛的表达和体悟的通道，这很满足。
No matter how she views these sculptures in the future, this is the outlet of my mother's love overflowing. The gift I gave to her also records the time when I grew up with her as a mother, it is also a channel to express and comprehend the true meaning of life, which is very satisfying.
新月·No. 7 玄鸞公主與雪梟神 2020青銅 99.9%24K金箔112x29x38cm
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About Skins2018年11⽉23⽇ 23 NOV 2018每个人生下来都被造物主赠予⼀副⽪囊，这副⽪囊被形形⾊⾊的灵魂使⽤。Everyone is born with a Skin given by the Creator, and this Skin is used by all kinds of souls.
有的⼈善待它、珍视它、保养它，
Some people treat it kindly, cherish it, maintain it,
有的⼈刺痛它、割裂它、消耗它。
Some people sting it, cut it apart, and consume it.
如果说⽆常常在，下⼀秒即将卸下它，
If it is said that nothing isalways there, it will be removed in the next second,
它会是怎样的凝聚？
How does it condense?
是完整的？残破的？满⽬疮痍的？
It’s complete? Broken? Devastated?
是保留婴孩质地的？是堆满岁⽉痕迹的？
Is it to preserve the baby's texture? Are there traces of time?
是什么样的⽣命状态使⽤过这身⽪囊？
What kind of life state has used this skin bag?
它遭受过多少抚摸？
How many strokes has it suffered?
它是否曾被鞭笞抽打？
Has it ever been flogged?
它曾经接触过多少种材质？那空⽓呢？
How many materials has it been exposed to? What about the air?
⼜有多少粒⾬滴曾经拍打在上⾯？
How many raindrops have ever slapped on it?
它是否曾被华丽地装饰过？
Has it been decorated with gorgeousness?
有多少⼈养护这⽤来⽀撑灵魂的有形存在？
How many people maintain this tangible existence that supports the soul?
有多少⼈⽤心修持这⾃然的馈赠？
How many people practice this natural gift with spirit?
时光雕刻的⽪囊在魂⻜魄散后是怎样的显示？
How does the time-sculpted skin appear after the soul is scattered?
⽣命由什么⽀撑？⽪囊、灵魂、呼吸，还有呢？
What supports life? Skin, soul, breath, and what else?
⽪囊是⽣命的⽇记？
Is the skin a diary of life?
⽪囊是此⽣故事的集合。
The skin is the collection of stories in this life.
新月·No. 7 玄鸞公主與雪梟 局部 2020青銅 99.9%24K金箔112x29x38cm
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The high point of the sculpture comes from the support of power from all directions,
雕塑的低点是力量牵引之源。
and the low point of the sculpture is the source of power traction.
远离刻意⽽就的空间，因它偏离⾃然太远。
Stay away from the deliberate space because it deviates too far from nature.
在激荡的⼼跳中，平⼼静⽓将其以改变空间、凝聚材料的形式呈现出来。
In the turbulent heartbeat, presented in the form of changing space and condensing materials.
在意料之中与意料之外⼆者让其⾃成⼀格时空。
Both the unexpected and the unexpected make it its own time and space.
我将这种⽅式视为顺天道、不⼲涉天造的成分，顺道造势。
I regard this method as an element that conforms to the will of nature, does not interfere with the creation of nature, and builds follow TAO.
新月·No. 8 魚羽人與雲 2021白鋼85x80x35cm
魚羽人與雲 2021白鋼85x80x35cm" c156e89a-0839-0840"="">魚羽人與雲 2021白鋼85x80x35cm" 2ddb38d5-0839-0840"="">魚羽人與雲 2021白鋼85x80x35cm" a54c7071-0828-0829"="">魚羽人與雲 2021白鋼85x80x35cm" uploaded="1" data-infoed="1" data-width="1080" data-height="1358" data-format="jpeg" data-size="125548" data-phash="259B5024A71ED9B7" data-source="outsite" outid="undefined">⽣命的“中”The "Middle" of Life2021年7⽉10⽇ 10 JUL 2021如果把⼈⽣的中看成是橫向的，那麼⽣命的中就假設成縱向的。這不是⼀個閉合的圓圈，也並⾮同⼼圓，是⼀個海螺剖⾯的逐步向外延伸的形狀。在每⼀世都有⼀個通道可以穿梭其它世，類似蟲洞，可以步⼊平⾏宇宙。通神的⼈或許可以任意抽取每⼀世的領悟。
If the middle of life is regarded as horizontal, then the middle of life is assumed to be vertical. This is not a closed circle, nor a concentric circle, but a gradual outward extension of the conch profile. In each world, there is a channel that can shuttle through other worlds, similar to wormholes, and can enter the parallel universe. People who are connected with God may draw the understanding of each life at will.如果這條⽣命之線無限⻑，是不是每⼀個當下都是中？那麼⽣命的中其實就是當下的⾃⼰，做好當下的⾃⼰，不去追逐意義，眼前的意義放在整個⽣命中或許並沒有想象的那麼重，有些看似無意義的事，反⽽對未來有深遠的影響。這靠守中後的感去感知，如果沒有這樣的感，那麼做好當下就好了。
If this line of life is infinitely long, is every present medium? So the middle of life is actually the present self. Be good at the present self, and don't pursue the meaning. The present meaning may not be as heavy as imagined in the whole life. Some seemingly meaningless things have a profound impact on the future. This is perceived by the feeling of being in the middle. If there is no such feeling, then it is better to do well in the present.
在了解了縱向的⽣命體系，對於⽣和死的理解或許更能從上帝的視⻆去看待，對於今⽣的捨與得或許也能有縱向的意義。這樣的視⻆去理解⽣命的降⽣和⽣命的結束或許就如看待⼀本書的某⼀⾴，不再執著於隻字⽚語的不解，縱觀全書回來再看可能就⼼領神會釋然開了。
After understanding the vertical life system, the understanding of life and death may be more from the perspective of God, and the giving and getting of this life may also have vertical significance. Understanding the birth and end of life from such a perspective may be like looking at a page of a book, and no longer clinging to the incomprehension of a single word. Looking back at the whole book, you may feel relieved.
許迪个人简介
PERSONAL PROFILE
1986 年生于大庆，祖籍亳州。现生活工作在北京。
Born in Daqing in 1986, Ancestral home is Bozhou. Now living and workingin Beijing.
职业艺术家 | 厚朴修习营助教
Professional Artist | Assistant of HOPE Traditional Chinese Medicine
教育
EDUCATION
2004－2008 清华大学美术学院雕塑系，学士学位，导师李象群
Sculpture Department, Academy of Arts & Design, Tsinghua University. Obtained bachelor's degree. The tutor is Professor Li Xiangqun.
2008－2010 清华大学美术学院雕塑系，硕士学位，导师王培波
Sculpture Department, Academy of Arts & Design, Tsinghua University. Obtained master's degree. The tutor is Professor Wang Peibo.
2021 - 今 厚朴中医学堂，临床班，导师徐文兵
Studying in the clinical of HOPE of Traditional Chinese Medicine. The tutor is Dr.
Xu Wenbing.
主要个展
MAJOR SOLO EXHIBITIONS
2020「新月」许迪作品展，摩卡 M+ Space，北京
“New Moon” XUDi Solo Exhibition, Moca M+ Space in Beijing.
2019「许迪」同名个展，苏醒艺术空间，广州“XUDi”
Solo Exhibition, Sosan Art Space in Guangzhou.
2015「生·息」冰融计划，悦美术馆，北京
“Life & Rest” Ice Melting Plan, Enjoy Art Museum in Beijing,
主要群展
MAJOR GROUP EXHIBITIONS
2022「LMO Reconnect: HERE AND BEYOND」香港置地文華東方酒店，香港
2020「北京国际设计周」新国贸饭店，北京
Beijing International Design Week at New International Trade Hotel of Beijing.
2020「广州雕塑大展-澳门雕塑邀请展」筑梦空间，广州
Guangzhou Sculpture Exhibition & Macao Sculpture Invitation Exhibition at Build Dreams Space of Guangzhou.
2020「无界之介-当代艺术展」巽美当代艺术馆，顺德
“Boundless Introduction” Contemporary Art Exhibition at Xunmei Contemporary Art Museum in Shunde.
2017「官舍雕塑艺术季」会空间，北京
“Sculpture Art Season” at Meeting Space of Beijing.
2017「聚焦中国-当代艺术展」GALERIE ICONOCLASTES，巴黎
“Focus on China” Contemporary Art Exhibition at GALERIE ICONOCLASTES of Paris.
2017「绽放空间-中国艺术家邀请展」石川画廊，东京
“Blooming Space” Chinese Artist Invitational Exhibition at Ishikawa Gallery of Tokyo.
2017「第二届中国当代青年雕塑作品展」世界雕塑公园雕塑艺术馆，长春
The 2nd China Contemporary Youth Sculpture Exhibition at World Sculpture Park Sculpture Art Gallery of Changchun.
2017「澄怀观道-国际袖珍雕塑展」国立国父纪念馆，台北
“Cheng Huai Guan Tao” International Pocket Sculpture Exhibition at National Sun Yat - Sen Memorial Hall of Taipei.
2017「融汇中西-当代艺术交流展」PALAZZO VELLI EXPO，罗马
“Fusion” Chinese and Western Contemporary Art Exhibition at PALAZZO VELLI EXPO of Rome.
2017「近观·远观国际微雕展」视觉艺术中心，新加坡
“Insight” International Miniature Sculpture Exhibition at Visual Arts Centre in Singapore.
2016「第五届刘开渠国际雕塑艺术大展」芜湖市中央公园，安徽
The 5th “Liu Kaiqu Award” International Sculpture Exhibition at Wuhu Sculpture Park of Anhui.
2015「物语-第二届当代女性雕塑展」ZERO 艺术中心，北京
The 2nd “Materials Speaks” Contemporary Exhibition of Female Sculptors in Beijing, ZERO Art Center.
2015「艺术关爱生命-当代艺术家邀请展」今日 22 号艺术空间，北京
The “Art Love Life” Exhibition in Beijing, Today 22 Art Space.
2014「造物寄情当随时代-首届南通国际当代工艺美术双年展」1895 文化创意产业园，南通
The 1st “The creation should follow the times” Nantong International Contemporary Craft Biennale in Nantong 1895 Cultural and Creative Industry Park.
2014「第十二届全国美展雕塑展」太原美术馆，太原
The 12th “National Exhibition of Fine Arts” Sculpture Exhibition in Taiyuan Art Museum.
2014「1895 中国当代工艺美术系列大展优秀作品展」国家大剧院，北京
The 1895 China Contemporary Arts and Crafts Series Exhibition at National Grand Theatre of Beijing.
2014「无畏无缰-中国当代马文化艺术交流展」中华世纪坛艺术馆，北京
“Advance Bravely” Chinese Comtemporary “Horse” Culture and Arts Exhibition at China Millennium Monument.
2011「雕塑专业委员会 20 周年庆典暨中国雕塑年鉴展」国粹苑，北京
China Sculpture Almanac Exhibition at National Essence Garden of Beijing.
2009「当代雕塑及装置艺术联展」红子蘭艺术中心，北京
Contemporary Sculpture and Installation Art Exhibition at Hongzilan Art Center of Beijing.
2009 「墨·彩·形-当代艺术家邀请展」时代美术馆，北京
“Ink·Color·Shape” Contemporary Artists Exhibition in Times Art Museum of Beijing.
